水、风、土

看《水、风、土》时，我几乎能感受到沙漠里的干热——风沙打在脸上，喉咙发紧。叙事几乎舍弃对话，全靠环境音和男孩的肢体撑起节奏，沙漠的寂静本身就是最强大的台词。导演用长镜头跟着男孩马吉德，他光脚跑过干裂的土地，每一步都像踩在观众心尖上。他穿过被烈日烤裂的土地，遇见废弃的村落、干涸的河床，还有风沙里若隐若现的陌生人影。路上他遇见一条死狗、一个哑巴老人、一辆废弃卡车——每一件事物都像在跟他说话，又都不说话。整部片子没有几句对白，大部分时间就是那个瘦小男孩在干旱的村庄里独自走着，找水、找羊、找路。

This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs.　　This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal.　　The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society.　　The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.

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