《她自己》的叙事结构如同主角桑德拉的生存策略：在碎片化的日常中耐心垒砌一块砖石。影片几乎没有配乐煽情，镜头一直贴着女主角桑德拉的脸，看她打扫房间、应付社工、在工地上被工友排挤，连她低头系鞋带时肩颈的僵硬都看得一清二楚。克莱尔·邓恩的表演没有一丝“演”的痕迹，你看到的只是一个疲惫但绝不认输的母亲，连她蹲在地上打磨木地板时后颈紧绷的肌肉都在说话。这片子拍得特别真实，就像邻居家的故事——没有花哨的转场，镜头一直跟着女主角，看她怎么带着俩孩子从家暴里逃出来。
导演菲利达·劳埃德用大量冷静的中景镜头记录她锯木头、拧螺丝的日常，让“重建生活”变成一个具体的手工活。
记得备点纸巾！。
Single-mother Sandra (Clare Dunne) escapes her abusive partner with her two young children, only to find herself trapped in temporary accommodation. After months of struggling, she draws inspiration from one of her daughter’s bedtime stories and hits upon the idea of self-building an affordable home. She finds an architect who provides her with plans and is offered land by Peggy (Harriet Walter), a woman she cleans for. Aido (Conleth Hill), a building contractor, appears willing to help too. But as her past rears its head, in the form of Gary (Ian Lloyd Anderson), her possessive ex, and as bureaucrats fight back against her independent spirit, will Sandra be able to rebuild her life from the ground up
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