你燃烧了我

皮涅罗的《你燃烧了我》带着浓郁的法式诗意，将一场办公室恋情拍出了令人窒息的致命吸引力。如果你喜欢烧脑、高智商犯罪或张力十足的都市爱情，这部剧绝对不能错过。男主角皮亚韦尔演得太好了，把那种“嘴上说分手，身体却很诚实”的纠结劲儿演活了。皮涅罗用细腻的笔触刻画了两个灵魂从互相吸引到彼此折磨的极致拉扯，将暧昧的推拉与致命的吸引力展现得淋漓尽致。皮涅罗通过夸张、甚至略显歇斯底里的表演，将人物内心深处的脆弱与渴望展现得淋漓尽致。剧情节奏稍显缓慢，却随着两人情感关系的扭曲不断升温，充满了戏剧张力。

　　Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

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