大清后宫

故事是这样的：道光年间，一名叫沈吟秋的汉女因家道中落被选入宫，她原本只想在深宫里安分度日，却无意间撞破了总管太监与妃嫔合谋倒卖贡品的勾当。演员群像中，莎拉·沃克饰演的宫女以细微的面部肌肉控制传递压抑下的暗涌，与郑子尹扮演的太监形成静与动的张力。演员Sarah把秀女初期的慌乱演得极细——她行礼时指尖微颤，偷看嬷嬷时呼吸忽然变轻，这些瞬间比台词更有分量。艾什莉·麦肯齐的镜头冷静却不疏离，常以固定机位凝视人物在门廊、屏风间的行走与停顿，把宫廷的压抑转化为空间上的精确调度。演员们很少用声嘶力竭的哭戏，Sarah在修表时指尖的停顿、Zheng在屏风后整理衣带的动作，都比台词更有分量。最精彩的是那场雨夜焚信戏——火光照亮九张各不相同却同样疲惫的面孔，比任何后宫斗争都直指人心。

Star, a suicidal teen now too old for foster care, develops a candid rapport with An, a student from Shanghai who is assigned to watch her while she is in hospital. A nightly exchange of secrets, text messages and possessions quickly expands the boundaries of their relationship, altering their inner chemistry. 　　Gilded by a soundscape that interweaves work by emerging and pioneer...

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