双城记
1935 · 美国
说实话,看完《洪水未至》的那个晚上,我躺在床上很久没睡着。叙事极简,长镜头居多,像纪录片一样忠实记录着小镇的沉闷与等待。导演Sargsyan用近乎纪录片式的长镜头,捕捉这种悬在半空的焦灼:铁皮屋顶被风掀起的一角、水井里突然冒出的树根、深夜不知谁家的狗在哀嚎。适合那些喜欢欧洲文艺片、不介意慢节奏、愿意从日常琐碎里咂摸出点人味儿的朋友。
导演Marat Sargsyan几乎不用配乐,全靠长镜头和灰蒙蒙的画面撑情绪——洪水一直没来,但每个人的恐慌早写在脸上了。
你要是喜欢那种不煽情、不着急、全靠细节堆出来的文艺片,或者想感受一下立陶宛那种冷到骨头里的氛围,这片子千万别错过。
入围2020年威尼斯电影节影评人周单元 A blue screen informs that war has begun. What will be needed? Collect the men, find guns, or maybe someone will give them. We need a location, a country where the war would take place. No problem, the Colonel is a real pro, he has caused wars to order, or on orders, on multiple occasions in different countries. Now his followers have grown up and caused a w...
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