夹缝中活着，小春

《夹缝中活着，小春》以克制而精准的日常切片式叙事，构建出都市边缘人的情感图谱。导演葛里华有意消解戏剧冲突，大量采用固定中景镜头与留白段落，让宫泽冰鱼与小西樱子在琐碎动作中传递出人物间微妙的疏离与依恋。尤其是小春在厨房偷偷把眼泪擦掉继续做饭那场戏，看得我鼻头一酸。导演葛里华用大量固定长镜头和琐碎的生活噪音（电饭锅蒸汽声、电车经过的震动），把爱情从浪漫叙事里剥离出来，还原成两个被生活压扁的人相互借体温的日常。适合那些不追求戏剧冲突、愿意从沉默中读出潜台词的观众，尤其是对都市孤独症和情感失效状态感兴趣的人。影片对白极少，全靠环境音和长镜头传递情绪，像极了身边某对夫妻的周末午后。

　　Haru, a struggling magazine editor, meets the painter Toru during research for one of her articles. Toru is autistic and straightforward in expressing his thoughts. Haru is drawn to his honesty, and a deep emotional bond forms between the two despite their different personalities. Director Rika KATSU sensitively portrays their unusual relationship.
　　源自：https://db.nipponconnection.com/en/event/1367/spring-in-between

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