洪水1924

这部黑白默片堪称印象派影像的鼻祖，彻底打破了传统戏剧的线性叙事。这部超现实的默片片长虽短，但情绪张力拉满，非常适合喜欢先锋艺术、探索电影实验性，或者单纯想通过视觉奇观放松身心的观众。主演细腻地演绎了乱世中普通人的悲欢离合，既脆弱又坚韧。 如果你痴迷于“理性电影”的美学实验，或者单纯想欣赏20世纪初欧洲文艺青年那种特有的颓废气质，这部影片绝对不容错过。尽管拍摄于90年前，但其极具实验性的镜头语言和对情感克制的处理，至今仍能带来巨大的心理冲击与震撼。德吕克摒弃了传统对白，利用“带上摄影机去郊游”的理念，用闪烁的阳光与流动的群像，捕捉了巴黎中产阶级度假的浮华与荒诞。

　　Though Delluc's career was short-lived, it burst vigorously(7 films in 4 years)that it forever left its imprint on french cinema history, and they rightly honoured him by giving the annual Prix Delluc to the best French film of the year. He was responsible for the creation of influential cinema  journals like Le Journal du Ciné-Club and Cinéa, founding numerous film societies, writing countless articles and coining the term "cineaste". Delluc believed that films should be set in the natural without elaborate posturing, and characters should be portrayed in an intimate way where the past and present, illusion and reality can be correlated, all considered to be avant-garde at its time. He died only a few weeks after the shooting of The Flood at the age of 33.

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