文艺复兴解锁

这部纪录片把艺术讲活了，根本不是枯燥的教科书。剧集不仅解开了艺术背后的深层隐喻，更通过生动的剧情亮点，将那些曾经死气沉沉的名画还原成了充满“人性味儿”的鲜活故事。如果你对艺术史一窍不通又想快速入门，看这个就够了。导演在片中既是解说员又是穿越者，分饰四角简直是教科书级别的演技展示，一人撑起整部片，张力拉满。这种将“智识”与“娱乐”完美结合的风格，对于既想接受艺术熏陶又不想枯燥听讲的观众来说，绝对是本年度不容错过的视觉盛宴。 镜头跟得上他的嘴，但他演得最绝。

　　According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.
　　The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.

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