神童1965

六十年代的美国喜剧片，节奏慢悠悠的，像坐在老式敞篷车里吹风。詹姆斯·斯图尔特把那种“拿天才儿子没辙”的无奈父亲演得活灵活现，嘴角抽搐的小表情比台词还逗；碧姬·芭铎本人出镜，自带慵懒神韵，反而成了片子里最清醒的旁观者。詹姆斯·布罗林演的儿子也机灵，为了见偶像闹出一堆乌龙，又好笑又暖心。斯图尔特延续了他一贯的“普通人困境”表演风格，尤其几场与碧姬·芭铎的对手戏，他那种手足无措的中年人神态精准捕捉了家庭中父亲角色的无力感；而詹姆斯·布罗林饰演的少年天才则带着一种早熟却笨拙的气质，与斯图尔特形成微妙反差。适合想看一部不煽情、不吵嚷的轻喜剧的观众，尤其是对那些演员自然流露的细微表情比对白更感兴趣的人。詹姆斯·斯图尔特演一个被天才孩子搞得焦头烂额的父亲，他那副又无奈又硬撑的表情，特别真实——就像你爸被熊孩子整懵的样子。

Dear Brigitte is one of the funniest comedies from the 1960s, about a tone-deaf, color-blind boy genius with one interest Brigitte Bardot. James Stewart plays professor Robert Leaf, a typical college professor (when speaking of college professors typical means liberal, but this was 40 years ago and labels change). Leaf teaches poetry, lives in a houseboat in San Francisco, vocally opposes nuclear power and progress in general. He has an original way to make the family stick together - family concerts. His daughter calls him square. Leaf's 8-year old son Erasmus is played by Billy Mumy (Sammy the Way Out Seal, Lost In Space, Bless The Beasts Children, Three Wishes). Leaf hopes to find artistic genius of some sort in his only son, and nurtures him in music, painting, literature, etc. But Leaf is disappointed, to put it mildly, when it turns out Erasmus has a gift for math, can out-think the colleges newest computer, instantly compute horse-race winners. I don't want to give away too much of the plot, but Erasmus had been writing to Bardot regularly, and after the family comes to depend on his ability, his love-sickness causes a mental block. Glynis Johns (Father's Delicate Condition, The Cabinet of Caligari, Mary Poppins) plays Leaf's wife. Ed Wynn (Requiem For A Heavyweight, Mary Poppins) is a neighbor captain narrator. Other cast include Fabian, Cindy Carol, John Williams, Jesse White, Jack Kruschen, and James Brolin in an early bit part. Brigitte Bardot appears at the end.

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