污染

《污染》和同类揭露环境问题的影片不同，它没把镜头对准工厂烟囱或抗议游行，而是让污染渗透进角色的日常起居——主角们的手掌、餐盘、甚至呼吸都带着细碎的不安。如果你能忍受缓慢的节奏，愿意感受那种无力但又不想放弃的复杂情绪，这部片会让你想起那些被我们忽略的、身边的人的挣扎。影片拒绝煽情，仅凭调度与剪辑的精准咬合，就让化学废料泄漏的隐喻刺入每一个家庭。当地一位沉默寡言的退休工人（马西米利亚诺·加洛饰）偶然发现女儿的血常规报告异常，他决定用自己笨拙的方式收集证据——每天凌晨趴在工厂围墙外的水沟边取样，渐渐拼凑出一张肮脏的“污染地图”。加洛饰演的环保官员在官僚系统里徒劳地奔走，拉涅瑞饰演的妻子用眼神传递出日常溃烂的无力感，没有一句台词是多余的煽情。其他演员也都很真实，像萨尔瓦托雷·埃斯波西托那副粗糙的嗓音，一听就很有生活气。

Cosimo, a buffalo farmer, refuses to sell off his land to the family of the young mayor candidate. When he finds out he has a tumour caused by all the toxic waste that are illegally disposed of in the fields of the so-called “Land of Fires”, his wife decides to carry on his battle.　　Diego OlivaresDiego Olivares (1965) is a Neapolitan director, scriptwriter and dialogues writer. After directing some short films he embarks in the making of a documentary about the closing of the Frullone psychiatric hospital in Naples, Gli ultimi giorni del Frullone – Cronache da un manicomio nel 2000. In 2003, he directs his first feature film I chinghiali di Portici. In 2014, he directs the short film Canemalato produced by Figli del Bronx for Sky Cinema.

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