抓特务
2026 · 中国大陆
剧情片
★。 和 演得特别真,不是那种夸张的哭喊,而是咬着牙、眼珠子乱转的那种绝望。 适合钟爱欧洲艺术片、不排斥缓慢叙事但追求人
你听说过《美杜莎之筏1980》吗?这部南斯拉夫电影特别有意思——导演戈迪纳拍得跟做梦似的,镜头晃来晃去,场景转换很跳,配乐也怪怪的,但就是那种“看着挺累却放不下”的感觉。 ★。 Olga Kacijan和Vladislava Milosavljevic演得特别真,不是那种夸张的哭喊,而是咬着牙、眼珠子乱转的那种绝望。 适合钟爱欧洲艺术片、不排斥缓慢叙事但追求人性深度的观众。全片几乎没有传统意义上的“高潮”,反而像一幅缓慢剥落的壁画。适合那些能接受缓慢叙事、愿意在细节里咀嚼人性幽暗面的观众,尤其推荐给喜欢《猎人之夜》或《安德烈·卢布廖夫》这类冷峻寓言的人。
This is a brilliant surrealistic film.
But also a fully realistic story about a time when the brave avant-guarde artists were trying to explore the unknown landscapes of human possibilities.
The contrast between two realities: the poor village and the dadaist artists is shown very smart and brings the possibility of changing the world by the art.
Unfortunately, that progressive ideals of making the world better by revealing new areas of imagination, that ruled in the first half of XX century, were crushed by the war.
And, the tragedy finishes: the artistic ideals are dead, international art brotherhood also, but, as a real disaster: Yugoslavia is also dead, as a country, but as an artistic vision of nation's brotherhood, too.
So, the art falls apart
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