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奥莉维娅

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奥莉维娅

1951法国法语全集

导演 用近乎素描的手法,勾勒出一所女子寄宿学校里的暗流——没有大起大落的戏剧冲突,只有眼神交汇、欲说还休的停顿,以及那份被时代压抑得几乎无声的情感。怎么说呢,整部片子就像

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剧情简介

如果你正在犹豫要不要看,我可以告诉你:**值得花一个安静的夜晚静静品味**。导演Jacqueline Audry用近乎素描的手法,勾勒出一所女子寄宿学校里的暗流——没有大起大落的戏剧冲突,只有眼神交汇、欲说还休的停顿,以及那份被时代压抑得几乎无声的情感。怎么说呢,整部片子就像一本被翻旧了的少女手记——画面有种朦胧的柔光感,镜头里女校的走廊、宿舍、花园都带着种欲说还休的克制。如果你看腻了现在动不动就大喊大叫的戏,这部会很对味。 演员里我最服Yvonne de Bray,她演的女校长,表面上严肃古板,可一个转身、一个停顿,你能感觉到她心里藏着好多东西。 如果你喜欢《小姐》或《燃烧女子的肖像》这类注重氛围而非情节的作品,或者你曾经历过那种介于崇拜与爱情之间的朦胧情感,这部电影会让你安静地回味很久。


大概是法国第一部描写女同志的故事片吧。  Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a landmark of lesbian representation. Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.  French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.

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