怪物陈列室

1924年的《怪物陈列室》是一部被低估的早期超现实主义文本。影片适合对先锋电影语言、达达-超现实主义脉络有研究兴趣的观众，尤其推荐给那些厌倦了经典默片三幕剧结构、渴望在破碎叙事中寻找隐喻线索的影迷。让·缪拉饰演的驼背人每次弯腰捡钱，嘴角都挂着悲悯的微笑；吉吉在碎镜前跳的那段独舞，裙摆旋转时像一朵快要凋零的蒲公英。吉吉演的舞女甩动裙摆时，那倔强又脆弱的眼神让人喉咙发紧；让·缪拉扮演的力士颤抖着举起杠铃时，你分明能感到他骨头里发出的声响。 这部1924年的默片用大量特写和快速剪辑制造出令人不安的节奏，没有一句台词，全靠演员的眼神和肢体——吉吉瘦削的侧脸、西蒙妮·玛勒伊指尖的颤抖，把恐惧演得像一阵突然的冷风。剧情嘛，其实就是一群人被关在怪人展览馆里，但导演硬是把每个角色都拍出了自己的小秘密。

Married carnival performers are subjected to the abuses of their employer in this silent film gem that has not received as much attention as it deserves. When the boss' unwanted advances on the wife are refused, he taunts a lion until it nearly kills her. But the other performers assist in a unique plot for revenge. Jaque Catelain directs and stars in this film made for influential French director Marcel L'Herbier's production company. Some sources also list L'Herbier as co-director, as he is credited here. The film boasts some rapid-fire editing techniques that were decades ahead of its time.

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