如果你正在犹豫要不要看，我可以告诉你：这部1925年的默片《红发》没有大起大落的情节，却用安静的日常画面撕开了家庭关系的暗面。小演员也十分朴素，没有表演痕迹，让人心疼。影片以红发少女的家族秘密为主线，通过层层递进的闪回与象征性空镜（如反复出现的枯井、红色发丝的特写），将线性时间打散重组，悬念的释放克制而精准。如果你厌倦了默片里“挤眉弄眼”的旧派套路，或者想看早期电影如何用简洁影像探讨亲子关系中的权力游戏，这部片子会比后来的同类改编更冷冽、更直接。
这部默片不靠夸张的表情传达情绪，反而依赖光影和景深：镜头常常停留在男孩蜷缩在屋檐下的背影上，或是他赤脚踩过泥地的特写，用环境挤压感代替台词。
小演员的表演毫无默片常见的程式化，他抿紧嘴唇的瞬间、偷偷抹眼泪的动作，都让人忘记那是表演。
Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。 Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
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