话事人
2019 · 印度
如果你正在犹豫要不要看,我可以告诉你:**值得花两个小时沉进去,但前提是你受得了慢节奏的心理压迫。尼科·塔瓦泽饰演的警探几乎全程绷在一种极度克制的崩溃边缘,他对镜自审的微表情与走廊里空洞脚步声的搭配,比任何血腥画面都更令人不安。不过受不了压抑氛围的朋友,建议白天拉个胆子大的一起看。 ☆。
剧情反转藏在几个看似无关的闪回里,需要你像拼图一样自己组合。
如果你是那种喜欢《狩猎》《逃离绝命镇》里心理压迫感的人,这片子绝对对胃口。
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
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