野草蔓生

诶，你要是能扛得住慢节奏，我真觉得《野草蔓生》挺值得看看的。耐心看完，你会记住那种荒草疯长般的、无处可逃的黏腻感。演员演得特别自然，Larry Fessenden那副邋遢样儿，还有女主角说话时那种心不在焉的神态，都像你身边认识的人。没什么大道理，就是那种“我也不知道我在干嘛”的小人物困境。适合那些厌倦了类型套路、愿意盯着窗外的风看半天、对“无戏剧性叙事”有耐心的观众。剧情没有“高潮”，只有一次失败的抢劫、几瓶啤酒、一段漫无目的的开车。

　　River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.

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