死亡的甜蜜[电影解说]

这部1967年的《死亡的甜蜜》与同时期欧洲心理惊悚片最大的不同，在于它把情欲和死亡拍成了一面碎裂的镜子——Tinto Brass用大量倾斜构图和冷蓝调滤光镜，让巴黎地铁和旅馆走廊都像浸泡在福尔马林里的标本。Tinto Brass的镜头几乎不给你喘息的空间：昏暗的室内、突然拉近的特写、女主角空荡荡的眼神，以及特兰蒂尼昂那种“随时要崩溃又强行绷住”的表演——他坐在审讯室桌子前，手指反复敲打木纹的声响甚至盖过了对白。 ♪。让-路易·特兰蒂尼昂的表演不同于他后来在《蔑视》里的内敛，全程绷着一种随时会折断的神经质，而伊娃·奥琳的出场总伴随突然的静音处理，让情欲场面带上诡异的窒息感。和同类犯罪片不同，它不靠血淋淋的视觉冲击，反而用咖啡馆里反复出现的爵士乐、雨夜橱窗里模特假人的凝视，把悬疑熬成一种慵懒又焦灼的巴黎-伦敦混合体气质。适合那些觉得《放大》太闷、《美国朋友》太冷的观众，在这里你能找到介于安东尼奥尼和贾木许之间的某种荒诞心跳。

　　Bernard meets Jane in a Night Club, in London, and he likes her. Her father was killed in a car accident, but Jane thinks he has been killed because he was blackmailed for a picture of his second wife, Jane’s mother in law. In the same Night Club Bernard finds the blackmailer corpse and Jane near him, but he believes she is innocent. So Bernard and Jane run away followed by a dwarf, the blackmailer’s men, who believe Bernard killed their boss and of course, the Police. They believe that Jerome, Jane’s brother, can help them to solve the case. But Jane doesn’t know where he is, or so she says. Corpse after corpse, Bernard will find out the truth. But will the truth help him?

相关搜索：