血亲2022

《血亲2022》最值得称道的是诺阿·西甘自导自演时对叙事节奏的精准把控：影片以一场家族葬礼的闪回开场，随后用平行剪辑将三代人的秘密与谎言层层剥开，每个反转节点都埋在看似闲笔的对话缝隙里。导演诺阿·西甘自己演的那个表哥，又欠揍又让人心软，跟维多利亚·莫洛勒斯演的妹妹斗嘴那段，简直像抄你我家里的对话。维多利亚·莫洛勒斯演出了那种既想证明自己成熟、又忍不住咬错猎物的笨拙。表哥到访后，不仅打乱了家里每一条毛巾的摆放秩序，还在邻居聚会上把丈夫的童年糗事编成了单口相声。诺阿·西甘自己导自己演，那种“想发火又不得不保持微笑”的微表情比台词更有戏；维多利亚·莫洛勒斯则贡献了全片最妙的沉默时刻——当所有人等着她哭丧时，她突然哼起死者生前最讨厌的歌。叙事节奏像老爷车一样慢悠悠，但父女俩拌嘴的台词密度很高，冷笑话和吐槽穿插在深夜觅食的日常里。

　　"Jane (Victoria Moroles) is a 15-year-old girl whose very human mother died recently and may have slept with a vampire about, say, 15 years and nine months ago. The fact she craves raw meat and has to wear a lot of sunblock are also clues that Francis is her father. The realization that his cool-guy life as an immortal vampire might be changing radically is at first scary to Francis, but eventually he embraces it, and that’s when things get really interesting." --from gizmodo

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