家庭合影

嘿，最近看了部小成本电影《家庭合影》，挺有意思的。演员们感觉不是演的，尤其瑞秋·艾里格和Katie Folger，两人在厨房拌嘴那场戏，台词抢来抢去，像你妈跟你姨吵架，笑死。适合那种喜欢看生活里细碎小事的观众，比如爱琢磨亲戚脸色、对家庭聚餐又爱又烦的人，这片子能让你边看边嘀咕“这不就是我家吗”。这部电影适合那些不急着要答案的观众——它不告诉你谁对谁错，只是让你坐下来，陪他们一起笑一下、呛一句、沉默一会儿。 导演露西·克尔把镜头压得很低，像偷看别人家的旧相册——没有戏剧化的冲突，只有围坐吃饭、翻老照片、突然沉默的间隙。瑞秋·艾里格扮演的母亲在厨房里切菜时突然停下的动作，Katie Folger念旧照片背面字迹时声音的细微颤抖——这些不刻意煽情的瞬间反而更戳人。

　　Set at the start of Covid, Family Portrait follows a family on an idle but hectic morning when they have planned a group picture. When the mother vanishes and one daughter becomes desperate to find her and gather her sprawling family, the film progressively descends into a realm where time and space lose their grip, transforming the family portrait into a solemn and enigmatic ritual of transition.
　　Director's Note:
　　Family photographs, according to Roland Barthes, are a desperate means to freeze time and immortalize the family. However, what the family doesn’t realize yet is that, as they smile and pose for the picture, they have already died.
　　源自：https://www.locarnofestival.ch/festival/program/film.html?fid=e3a878c3-ae17-4570-9736-2c37b917128a

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