剪辑师

这部《剪辑师》像是用生锈的剪刀剪出来的恐怖片——画面故意做旧，噪点、划痕、突兀的转场，全程让你怀疑自己是不是在看一部被遗忘的70年代意大利铅黄电影。主角是个沉默寡言的剪辑师，被卷入连环命案时，他总在片场用最笨拙的方式跟警察周旋，乌多·基尔每次出场都带着一股“我演得很用力”的坦然，反而让血腥镜头变得荒诞滑稽。如果你喜欢《阴风阵阵》的巴洛克疯狂，或对“元恐怖”如何戏仿自己充满好奇，这部片子会给你一剂过量的甜腻血浆。建议自己偷偷看，别跟家人一起，太尴尬了哈哈。乌多·基尔出场那场戏，光是一个阴鸷的眼神就把恐怖喜剧的调子拉满，而男主角笨拙地模仿银幕硬汉的台词，反而成了全片最戳人的笑点。剧情最妙的是每当你以为看穿了套路，下一帧剪刀就把你的推理剪碎。

From members of Winnipeg’s infamous Astron-6 collective comes a loving homage and absurdist send-up of the Italian giallo genre. Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. (Tiff 2014)

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