那个人在想什么事情

如果你正在犹豫要不要看，我可以告诉你：这部1969年的丹麦科幻片没有炫目的特效或宏大的宇宙观，它更像一场冷静的心理学实验。Lotte Tarp的角色更惨，她那种无助感演得太真了。注意：片尾那组长达三分钟的空椅蒙太奇，才是导演真正藏着的刀子。尤其是John Price演的那个科学家，他被指控杀人，可自己完全不记得了。 ✿。Preben Neergaard与Lotte Tarp的对手戏像两把钝刀互相摩擦，把亲密关系里的猜忌和恐惧磨出铁锈味。

The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

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