空气之魂，云之精灵

《空气之魂，云之精灵》是亚历克斯·普罗亚斯早期实验性科幻的缩影。 ♪。适合偏好塔可夫斯基式慢电影、对非线性叙事和符号化视觉语言有耐心的影迷，尤其推荐给研究后启示录美学如何从B级片语法中突围的观众。影片采用近乎寓言式的松散叙事，以沙漠残骸中的孤寂空间为舞台，三线人物（流浪男孩、隐退老夫妇、神秘闯入者）的相遇与分离被刻意弱化因果链条，转而用大量固定机位和长镜头捕捉荒原上的光影流动，营造出空灵而压抑的滞重感。适合那些看得进《潜行者》那种慢节奏、不介意剧情模糊、更想品品“废土里人造翅膀”那股劲儿的观众。导演大量使用手持跟拍与广角畸变镜头，让沙漠中畸形的家庭关系（残疾父亲、暴烈母亲、沉默女儿）在压抑的逼仄空间里发酵出诡异的仪式感。

非常棒的超现实科幻片,与很像,导演Alex Proyas后来还拍了那部著名的,这是他的处女作.以下地址有详细介绍和剧照：　　Like a dream, some things can only be experienced to understand　　This film has some of the most beautiful imagery and haunting music ever. (Not to overstate it or anything) A three hander set in a post apocalyptic Oz outback (but one which is wildly more fantastical than Mad Max), Spirits of the Air tells the story of Smith, a stranger on the run who happens upon Felix and Betty, far into the desert.　　All around them are amazing images of cars buried into the ground like totems, huge flags blowing madly in the desert wind and their house itself is of the old oz pioneer style but decorated everywhere with crucifixes. Felix is an inventor obsessed with flight and making a glider, an obsession which has already left him in a wheel chair. Betty is one of the truly great film characters, just an absolute tripper - I can't describe her but the performance is a delight.　　This is not a fast film, it is not action packed but is intense - the imagery and art direction are beautiful, the writing is distinct and very Australian but still universal, the soundtrack is haunting (a lot of windsound montages with a simple tune used to great effect) and the performances are both real and surreal.　　Until you see this film (and for those who have enjoyed the increasingly brilliant work of Alex Proyas, you really should) you won't know what you are missing.

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