五十年后之世界

故事是这样的：1930年一位名叫J-21的男人遭遇雷击昏迷，醒来时发现自己身处1980年的纽约——高楼直插云端，人人开着私人飞行器，婚姻靠政府配对，连孩子都得编号领取。导演大卫·巴特勒把喜剧包袱塞进每一个未来设定里，比如主角对着自动售货机点餐却被吐出同一种罐头，或者用“编号”代替姓名时闹出的认错笑话。导演利用当时尚属新鲜的特效模型和双重曝光技术构建空中廊桥、个人飞行器等视觉符号，虽显稚拙，却清晰体现了早期科幻片对“未来”的直观转译——将未来视为当下消费文化的放大版。埃尔·布伦德尔用一口夸张的瑞典口音演活了一个穿越者的手足无措，而莫琳·奥沙利文（后来演《人猿泰山》的那位）那时还是圆脸少女，笑起来天真发亮。 **推荐理由**：作为早期科幻片，它的布景充满手绘感，飞车和摩天楼像儿童画般天真，默片式的夸张表演让每个笑点都带着机械的滑稽感。适合对电影形式演变感兴趣、愿品味复古未来美学（如飞艇城市、视频电话）的观众。

airplanes have replaced cars, numbers have replaced names, pills have replaced food, government-arranged marriages have replaced love, and test tube babies have replaced ... well, you get the idea. Scientists revive a man struck by lightning in 1930; he is rechristened Single O. He is befriended by J-21, who can't marry the girl of his dreams because he isn't distinguished enough -- until he is chosen for a 4-month expedition to Mars by a renegade scientist. The Mars J-21, his friend, and stowaway Single O visit is full of scantily clad women doing Busby Berkeley-style dance numbers and worshiping a fat middle-aged man.

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