纽约的女人们

与当时盛行的反乌托邦电影不同，本片凭借其“举重若轻”的笔触，在体制高压下挖掘出了黑色幽默的生机。跟同期那些美化繁华都市的软调电影不同，法斯宾德没有展现霓虹灯下的温情，反而特写镜头里，这帮女人们在廉价公寓里的眼神，比任何高档酒吧都更透着一种令人心寒的绝望。法斯宾德这一部片子拍得非常冷峻、神经质，完全不管什么生活流，各种性爱场面拍得直白又带着种令人不安的粗糙感，像是在显微镜下看生活。 为了在这座冷漠的城市里“搞钱”，她们摇身一变成了美艳的鸡婆，依靠出卖色相大赚特赚。当个下饭喜剧看简直完美，笑得肚子疼！。法斯宾德拍出了最真实的“德式绝望”，那种在底层挣扎的窒息感扑面而来，看得人心里发紧。

A film version of a play Fassbinder directed in Hamburg, Clare Booth Luce's The Women. It gave Fassbinder an opportunity to indulge his passion for working with women - there are forty women in the play and no men.　　The play dates from the 1930s, and Fassbinder was accused by the critics of being anti-women (a frequent criticism of late). As usual, he chose to work against the text, and from this has constructed an entertaining and engaging play about love between upper-class women with nothing better to do than sneer at others when things go wrong with their lives and loves.

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